MONDAY
JULY 10
2017

BIANCULLI’S BEST BETS

 

CW, 9:00 p.m. ET

Wil Wheaton, the young crew member on Star Trek The Next Generation and Sheldon’s nemesis on The Big Bang Theory, shows up tonight to play with the resident improv comics of Whose Line Is It Anyway?

 
  
 
 

HBO, 9:00 p.m. ET

Part 2. This documentary on Dr. Dre and Jimmy Iovine continues, with the same obsequious perspective on their respective musical careers. The stories told are good ones, though, if you can accept them as overly fawning. One, in tonight’s installment, explains the origins of the Tom Petty-Stevie Nicks duet on “Stop Draggin’ My Heart Around.” Not to be Petty, but it's one of the best stories told tonight...
 
  
 
 

TNT, 9:00 p.m. ET

SERIES PREMIERE: ABC’s current Still Star-Crossed provides a sequel of sorts to William Shakespeare’s Romeo and Juliet, but without any real verve, style, or reason to watch. Tonight’s new TNT series, Will, seeks inspiration from Shakespeare, too, but this time from the playwright, not his plays. It’s been done before, of course, in Shakespeare in Love and in several other attempts, incuding the 1978 British miniseries Will Shakespeare: His Life and Times, starring Tim Curry. But this new outing is by Craig Pearce, who also wrote some shaken-and-stirred Shakespeare with the 1996 film Romeo + Juliet, directed by Baz Luhrmann and starring a very young Leonardo DiCaprio and Claire Danes. This time, Shakespeare, as an aspiring local playwright hoping to make his mark in the big city, is played by Laurie Davidson. He arrives in London to the throbbing tune of “London Calling” by the Clash, and many of the city’s rakish residents sport such anachronistic items of apparel as spiked collars and leather and chains. Yes, it’s a curious mixture of period and punk – and while it doesn’t completely work, it comes close enough to spend a few hours with to watch it try and find its way. One problem is that poor Will is overshadowed by some of his supporting characters – specifically, Jamie Campbell Bower as rival playwright Christopher Marlowe and Olivia DeJonge as the daughter of the theater impresario (the reliable Colm Meaney), who matches young Will in vocabulary and imagination as well as good looks. The pieces don’t all fit, but whenever the company performs in the approximation of the Old Globe, Will is fun indeed. Turns out, the Bard was right: the play’s the thing. For full reviews, see David Hinckley's All Along the Watchtower and Ed Bark's Uncle Barky's Bytes.
 
  
 
 

PBS, 10:00 p.m. ET

This season, P.O.V. has been highlighting films about the crisis in Syria – and tonight, the program ends that multi-week salute by showing the TV premiere of Last Men in Aleppo, a documentary about the volunteer organization known as the White Helmets, who provide aid to residents caught in the cross-fire of the uprisings and military crackdowns in Syria. Last Men in Aleppo, directed by Feras Fayyad, just won the Documentary Grand Jury Prize at this year’s Sundance Film Festival. Check local listings.

 
  
 
 
 
 
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David Bianculli

Founder / Editor

David Bianculli has been a TV critic since 1975, including a 14-year stint at the New York Daily News, and sees no reason to stop now. Currently, he's TV critic for NPR's Fresh Air with Terry Gross, and is an occasional substitute host for that show. He's also an author and teaches TV and film history at New Jersey's Rowan University. His 2009 Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour', has been purchased for film rights. His latest, The Platinum Age of Television: From I Love Lucy to the Walking Dead, How TV Became Terrific, is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV.