BIANCULLI’S BEST BETS

Movies On Demand, 3:00 a.m. ET

MOVIE PREMIERE: This documentary is about one of the premier film critics at a time when the movies arguably were at their most expressive and experimental. Pauline Kael had a bestselling collection of essays and reviews of films, and wrote from her powerful perch at The New Yorker for a generation, rhapsodizing and arguing at length about Bonnie and Clyde, Last Tango in Paris, and Nashville, to name just a few of her influential reviews from the 1960s and 1970s. I was impressed and influenced by her when I was a young reader and writer, but never knew anything about her personal history at the time. And hardly any of it, really, until now, which makes this new documentary particularly appealing to me. But even if you’re not interested in critics (Hey! Be nice!) or Kael, the movies covered in What She Said are worth the time here, in this nonfiction film by Rob Garver.

AMERICAN MASTERS: "MAE WEST: DIRTY BLONDE"

PBS, 8:00 p.m. ET

This new American Masters documentary could be a few notches more insightful – anyone watching the documentary, in this current age, may well ask some questions this program never does, about whether Mae West’s predatory sexual on-screen persona is any more laudable for being a gender-reversal on typical bedroom and boardroom lotharios. But as a stage and screen pioneer, especially in the days just prior to the stifling Hollywood production code, West stands alone, and confident – as quotable and irreverent, in her way, as Groucho Marx. Dirty Blonde examines that evolution, and revolution, in a way that should be eye-opening to younger viewers who are relatively unfamiliar with her work and legacy. Check local listings. For full reviews, see David Hinckley's All Along the Watchtower, and Mike Hughes' Open Mike.

FRONTLINE: "THE VIRUS: WHAT WENT WRONG?"

PBS, 9:30 p.m. ET

A lot. And this new Frontline documentary deconstructs the history to answer that question. It’s a question Frontline poses in the past tense, but the going wrong is still very much with us – which makes this particular era, like this particular documentary, a present tense experience. Check local listings. For a full review, see Alex Strachan's TV That Matters.

ONE DAY AT A TIME ANIMATED SPECIAL

Pop, 9:30 p.m. ET

SPECIAL PREMIERE: What to do when you have a finished script for a show, but can’t gather the cast, in this socially distanced period in time, to film it? Some shows have staged remote, Zoom-meeting-type table reads, letting actors recite their lines as though performing in a radio play. Tonight’s One Day At a Time Animated Special takes another approach: It has the cast of One Day recording its scripted lines, as in a radio play, but then fleshes out that soundtrack by animating it and presenting the episode as a special cartoon. Well, “fleshing out” is the wrong term. A more accurate one, since it’s animated, would be “Cel-ing out”… but that sounds worse, at least if said aloud. For more on this and animation in general in the time of social distancing, see Mike Hughes' Open Mike.

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