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We Say Goodbye (Perhaps) to 'American Idol'
April 7, 2016  | By Ed Martin  | 1 comment
 

La’Porsha for the win! Even at the last, American Idol can get me (and millions of others) caught up in the excitement of it all. Say what you will about Fox’s most formidable franchise, which isn’t the powerhouse it once was but is still one of television’s strongest and most popular shows, but never forget – during most of its first ten years it plowed through primetime television like Godzilla in Tokyo, damaging or demolishing everything in its path. We haven’t seen a scenario like that since and odds are we never will again.

And so it is with great wistfulness we must say goodbye tonight to a pop-culture phenomenon that made people smile again after the horror of 9/11, ushered in interactive television, revitalized interest in the reality competition genre and in summer programming (where Idol began), prepped generations for immediate communication via new technologies, flipped the music industry onto its back and launched the careers of more major and minor stars (you know who they are) than any other talent contest in the history of talent contests. I, for one, can’t imagine the last 14 years without it. That’s like true of many a current and former television executive, too.

Ever since word came down last year that this season would be the end of American Idol I have written repeatedly that a household name and top American franchise of this magnitude should not be discontinued. If Fox no longer wants it (a decision I think it will regret) it seems to me that another broadcast network, a cable network or a streaming service should snatch it up, strip it down to its former no-frills essentials and enjoy the ride all over again.

Now comes word via the Hollywood Reporter that Idol may indeed be back. I can’t wait to learn what that’s all about.

Meanwhile, as the minutes are counted down tonight to the last blast of Idol on Fox, I’m happy to see that it will be going out with a blast. I am not talking about the cavalcade of former winners, judges and popular contestants who did not win (from Jennifer Hudson to Sanjaya Malakar) that has been promised for tonight’s historic live telecast from the Dolby

Theater. (The Hollywood and Highland shopping and entertainment complex, where the Dolby is located, must be a madhouse today.)

Rather, I’m referring to the combined impact made by the top two contestants this season – La’Porsha Renae (my pick to win from day one) and Trent Harmon, both at top. (I would have preferred to see Dalton Rapattoni, above, up there with La’Porsha, but he went home last night. I think he’s one of those Idol wannabes – like Adam Lambert and Chris Daughtry – who is going to have a career if he gets with the right people.)

La’Porsha and Trent were both pretty incredible last night. I think they are the most potent Top 2 since David Cook and David Archuleta and, before them, Carrie Underwood and Bo Bice or Idol’s original dynamic duo, Kelly Clarkson and Justin Guarini.

That said if La’Porsha isn’t crowned the 15th and final Idol tonight the last season, like several before it, is going to end all wrong.

But that’s the thing about Idol. When it grabs you – when one or more of its competitors makes an essential emotional connection with the audience – it is still one of the best things on TV. And sustaining that emotional connection is the way any Idol wannabe can leverage a career. That’s much easier to do today with YouTube and social media than it was back at the beginning, but early contestants like Hudson, Daughtry, Archuleta, Constantine Maroulis, Katharine McPhee, Kellie Pickler and Josh Gracin managed to do so anyway.

Idol lost its steam (and its way) not because of a perceived decline in the raw talent of its participants (as some have insisted) but because of its producers’endless efforts to gum it up (which worked brilliantly), including the addition of superstar judges (which began with the disastrous decision to wedge Ellen DeGeneres into the judges table), the periodic expansion to four judges (which slowed the show to a crawl), the expansion of a once modest stage to cavernous carnival Vegas showroom and (worst of all) the movement of much of the studio audience right up to the lip of the stage – a distraction for home viewers that resulted in a feeling that the show was being produced for that handful of people in the studio rather than the millions of potential viewers and voters at home.

And then there is the voting system, which lost me long ago. If anyone can provide a cogent explanation, please do.

Tonight, though, I’ll shove all that aside and just enjoy the show. Millions of people will do the same. And tomorrow we’ll awaken to an (at least temporarily) Idol-less world for the first time since 2002 as we wait for YouTube, The Voice or any social media platform to actually produce a star of multi-generational appeal who can stand alongside Kelly, Jennifer, Carrie and the rest.

This column was first published at MediaVillage.    

 
 
 
 
 
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1 Comments
 
 
Abbie Peter
I think Idol lost a lot of viewers when they had the Mariah Carey/Nicki Minaj fiasco year. I'm sad because I think the current judges are the best combination they've ever had of judges (I loved Simon but never cared for Paula or Randy). But I felt like this season was always shortchanged, double eliminations to quickly get to the final, the finale was almost all about celebrating the past rather than promoting the current finalists. I enjoyed seeing the past contestants but previous finals were used to match current idols with superstars, Trent & LaPorsha didn't get that. With the shortened season I felt like the contestants didn't get as long a time to develop and grow. I even miss the elimination shows where I'd learn about some current artist trying to get promoted, that's where I first heard of Lady Gaga. Sure there was a lot of padding but that's what DVR's are for!
Apr 8, 2016   |  Reply
 
 
 
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Good news, TVWW readers: David’s new book from Doubleday, The Platinum Age of Television: From I Love Lucy to The Walking Dead, How TV Became Terrific is available on Amazon for $20. (Paperback will be available September 5th, here.)

Doubleday says: “Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way."

"The Platinum Age of Television is an effusive guidebook that plots the path from the 1950s’ Golden Age to today’s era of quality TV. For instance, animation evolved from Rocky and His Friends to South Park; variety shows moved from The Ed Sullivan Show to Saturday Night Live; and family sitcoms grew from I Love Lucy to Modern Family. A high point is the author’s interviews with Carl Reiner, Mel Brooks, Norman Lear, Bob Newhart, Matt Groening, Larry David, Amy Schumer and many others...Bianculli has written a highly readable history." —The Washington Post