If this installment is presented as scheduled, with new documentary footage covering the week in politics, I’m not sure how they’ll do it. Or what it will show. But when this series selected its subtitle, it had no idea how amazingly prescient it was being.

2020

Mar

ZOEY'S EXTRAORDINARY PLAYLIST By David Bianculli

Zoey had a musical moment with Simon in her apartment in last week’s episode, in which he flirted with flirting with her as his internal singing voice belted out “Should I Stay Or Should I Go?” And now, with that romantic tension unresolved, Simon and Jessica hold their wedding. Expect lots of music, and not just from the wedding singer.

2020

Mar

THE WALKING DEAD By David Bianculli

The assault on Hilltop went all-out last week, with our characters caught, at the cliffhanger climax, between a rock and a hard place. Except, in this instance, the rock was a wall of flame keeping them from retreating, and the hard place was a horde of still-advancing zombies.

2020

Mar

WESTWORLD By David Bianculli

SEASON PREMIERE: The Season 3 premiere of this big-budget HBO series is set in the “real world” of this somewhat dystopian, completely economically divided future, with Evan Rachel Wood’s vengeful robot Dolores, most prominently, infiltrating the glossy reality of her wealthy creators. Eventually, we’ll get back to the theme parks, and spend more time with Jeffrey Wright as Bernard, while introducing a new character, Caleb, played by Aaron Paul from Breaking Bad

2020

Mar

HOMELAND By David Bianculli

What is it this season about TV series predicting real-life events with their story lines? This year, Homeland has been dealing with a possible presidential negotiation to end the long-running war with Afghanistan, and to reach a cease fire with the Taliban. But in last week’s episode, things seemed really, really bad for some of the characters, presidential and otherwise. And Saul and Carrie, at this point, could do nothing but watch helplessly as dire reports came back from the

2020

Mar

AVENUE 5 By David Bianculli

SEASON FINALE: This space comedy series was just renewed for a Season 2, so this isn’t the last we’ll see of Hugh Laurie and Josh Gad and all the cruise spaceship passengers lost in space. But my, oh my, how this series has become unexpectedly relevant of late. An elite luxury cruise ship (albeit in outer space) whose passengers become helplessly marooned? A percentage of people who don’t believe the threat around them is real, and end up dying as a a result of their own ignora

2020

Mar

CURB YOUR ENTHUSIASM By David Bianculli

Tonight’s episode has Larry David shopping for a new car, and revealing his concerns, preferences and dislikes – such as not caring about the color, because once he’s inside the car, he never sees it. There are only two episodes left this season, so enjoy them. I plan to.

2020

Mar

LAST WEEK TONIGHT WITH JOHN OLIVER By David Bianculli

On Friday, Bill Maher announced on his Real Time with Bill Maher show on HBO, which he performed with one guest appearing by satellite (the others showed up in person) and with his staffers serving as the only studio audience, that it would be his last show for a while, until the coronavirus concerns subsided a bit. And even before tonight’s Last Week Tonight with John Oliver is taped or televised, John Oliver has let it be known that tonight’s program will be a &

2020

Mar

ROBERT REDFORD DOUBLE FEATURE By David Bianculli

Two of my favorite movies are shown as a TCM prime-time double feature tonight: 1976’s All the President’s Men, which persuaded me to commit to journalism as a career, followed at 10:30 p.m. ET by 1969’s Butch Cassidy and the Sundance Kid, which convinced me not to rob banks. Both films starred Robert Redford, opposite Dustin Hoffman in the former and Paul Newman in the latter. And both, significantly, had screenplays written by William Goldman. Two great sc

2020

Mar

THE SMOTHERS BROTHERS COMEDY HOUR By David Bianculli

Tonight’s repeat of a classic Comedy Hour episode features Jefferson Airplane. It’s another rarity from Season 1, which has never been released on video, and also features Jonathan Winters and Nancy Wilson. But it’s the Airplane’s rendition of “Somebody to Love,” with Grace Slick and her bandmates performing in front of a psychedelic backdrop, that was a groundbreaking part of that 1967 program. And another part of that program, censored and not show

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