The title of this 2014 sequel suggests how tongue-in-cheek the filmmakers are approaching this, and viewers should approach with that in mind. Ian Ziering and Tara Reid return for this second go-round, which is less of a draw than cameos by Kelly Ripa, Matt Lauer, Robert Klein and Viveca A. Fox. The true draw, of course, is the idea of the gloriously cheesy special effects, approximating giant funnel storms that deposit killer sharks all over New York. Personally, I’m waiting for a variati

2014

Jul

HOT IN CLEVELAND By David Bianculli

Here’s something potentially scary: In tonight’s episode of Hot in Cleveland, the female characters, including Betty White, are portrayed as their animated counterparts. And here’s something even scarier: Getting the same two-dimensional treatment is Steven Tyler of Aerosmith.

2014

Jul

NOTTING HILL By David Bianculli

Richard Curtis wrote this charming 1999 romantic comedy, which benefits greatly not only from the subtlety and honesty of his dialogue, but from the charisma and chemistry of the two leads: Julia Roberts, playing a variation of her own international superstar persona, and Hugh Grant, playing a sometimes stammering bookstore owner who meets her, falls under her spell, and falls in love. Watch for Rhys Ifans, a supporting-role scene-stealer as the bookseller’s best buddy, Spike (pictured). Y

2014

Jul

MARK TWAIN By David Bianculli

Part 1 of 2. This two-part 2001 biography by Ken Burns and company is a Mark Twain Prize all by itself: a thoughtful examination that gives equal weight to the author and his writings, to the fiction and to the real life behind it. And, it turns out, Sam Clemens and his alter ego are perfect subjects for Burns, whose TV works, primarily, have all been about the examination of place and race. With Mark Twain, and especially with Adventures of Huckleberry Finn, you get plenty of both. Check local

2014

Jul

RIO GRANDE By David Bianculli

Maureen O’Hara Tuesdays continue tonight on TCM, and this evening’s lineup begins with one of her famous pairings with John Wayne: the 1950’s Western, Rio Grande, set just after the Civil War, and a beautifully photographed action film directed by John Ford.

2014

Jul

FRONTLINE: "LOSING IRAQ" By David Bianculli

This latest video-retrospective history lesson from executive producer Michael Kirk and associates is another example of the enduring value of Frontline. All it does, in Losing Iraq, is go back to the start of the Iraq War, and trace the key moves, missteps, allegiances and battles since. What emerges is a chilling portrait that makes today’s international unrest, and the rise of the Sunnis, seem much more understandable – and puts a good percentage of the blame on various moves by t

2014

Jul

TYRANT By David Bianculli

Each week, it seems, watching this series becomes an exercise in “compare and contrast”: Namely, to compare the scripted insurgency and violence and unrest on the screen, in this drama about a fictional Middle Eastern country, with what’s happening in real life, and shown on the news, the same week. So far, it’s been sufficiently tumultuous to shift this show’s on-location production base from Tel Aviv to Istanbul. In other words, Tyrant can’t shoot in Tel Avi

2014

Jul

JAMES GARNER MOVIE MARATHON By David Bianculli

TCM clears its previous film schedule today to present a dozen movies featuring the late James Garner. The tribute begins early, at 6 a.m. ET, with 1956’s Toward the Unknown, one of the Warner Bros. studio movies he made as a supporting player before breaking out as a star, for the studio’s newly formed TV division, in the classic Western Maverick. Shoot-Out at Medicine Bend, made in 1957, follows at 8 a.m. ET, and the first real Garner starring vehicle of the day begins at 9:30 a.m.

2014

Jul

LOVE CHILD By David Bianculli

The title of this week’s new HBO documentary has a double meaning. The parents of a South Korean baby named Sarang are accused of neglecting her – and charged with essentially starving her – while they immersed themselves in an online role-playing game. Sarang translates as “Love,” and this nonfiction study is an immersion into the world of avatars and “second lives,” and the addictions such a fantasy world can feed. The game the parents play is called P

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