This 1980 film is a very underrated Woody Allen movie. Largely, its cool reception may have been a matter of timing. Allen, after a strong of brilliantly breezy early comedies, had begun to deepen both his focus and his tone, and write and direct one ambitiously different movie after another, on a literally annual basis. Annie Hall, his masterpiece, came in 1977. Interiors, his Bergmanesque drama, followed in 1978. Manhattan, his black-and-white salute to New York, arrived in 1979. And then came